Reviews and comments for recent gigs

My performance of Can the Mountains Love the Sea? got a review by A Small Mind.

“An excellent night.” * * * *

Read the full review here.

I also got these kind words from some Viking reinactors who came along:

“What a great experience this was! My friend J~ and I were completely enthralled by your enchantment and sheer professionalism. This was storytelling at its best and we were truly privileged to have witnessed it.

Not one single word was wasted. The pacing was spot-on. The characterisation was vivid and varied. You were totally absorbed ‘in the moment’ of the story, as was your audience. You made mythology live and breath…”

– the wannabe Vikings!

~ ~ ~

And some great audience comments from my performance of Jonathan and David at Night of the Storyteller. (All comments used with permission.)

“A few centuries ago listeners might have found the intimacy between David and Jonathon unsettling, but not have baulked at the violent massacre of the Amalekites. Now our sensitivities are reversed, but it is a credit to Tim Ralphs’ telling that he does not flinch at nor soft-pedal the difficult parts of this story. The show that results is touching and tender, rich and many-layered. A paean to love, friendship, and promise-keeping.”

Sarah Rundle, Storyteller

“I thought your performance at The Miller was beautiful! I loved the multiple narratives, juxtaposition and how many layers there were. Deftly, discretely & generously done (because you never demanded we think any particular thing). Congratulations!”

Giles Abbott, Storyteller

“Thank you for last night’s performance which I found profoundly moving. There are scenes which, although understated in your telling, remain vividly etched in my consciousness – the deeply human interaction between Saul and the Witch of Endor, for instance, to name just one.

Your subtle and deeply respectful crafting of links between Bible story and Life story created a rich tapestry which brought the spinning of story, and the fabric of life to life, a subtle veil through which you facilitated the potential to get a glimpse of the ineffable.

The formal musical framing device you used was masterful.

You are truly breaking new ground in the form.”

Leon Conrad, Voice Specialist